Enzo Prina is best known for his characteristic moiré paintings working primarily on panel using masking tape, acrylic paint, oil sticks and more. Through the layering of finely curved lines, his compositions generate images that emerge through repetition and distance rather than direct representation. 

The act of painting becomes a form of indirect authorship: rather than composing patterns explicitly, he establishes conditions through which patterns arise. The viewer’s gaze oscillates between the individual lines and the moiré effects formed by their accumulation, situating the work between intention and inevitability, control and surrender. Radiant color and optical illusion push the moiré motif through complex visual structures in the tradition of optical art and hard-edge painting. However, Prina’s work is not rooted in nostalgia. It is a poignant comment on contemporary visual culture. In an era in which visuals are marked by instant digital readability, his paintings escape adequate digital documentation, resisting the compression of the on- screen experience and demanding physical presence. 

By depicting what cannot be communicated through handheld devices, his work engages critically with contemporary digital consumption and the flattening of visual experience. Enzo Prina has exhibited internationally, including at Art Miami, represented by Oliver Cole Gallery, Miami, FL, US; in Palm Beach with Oliver Cole Gallery; in group and solo exhibitions at Zach Frank & Co. Gallery, Buffalo, NY, US; and in a group exhibition at URB Gallery, Paris, France. Prina’s work is held in private and public collections including the corporate collection of Lexus.